Search Torrents
|
Browse Torrents
|
48 Hour Uploads
|
TV shows
|
Music
|
Top 100
Audio
Video
Applications
Games
Porn
Other
All
Music
Audio books
Sound clips
FLAC
Other
Movies
Movies DVDR
Music videos
Movie clips
TV shows
Handheld
HD - Movies
HD - TV shows
3D
Other
Windows
Mac
UNIX
Handheld
IOS (iPad/iPhone)
Android
Other OS
PC
Mac
PSx
XBOX360
Wii
Handheld
IOS (iPad/iPhone)
Android
Other
Movies
Movies DVDR
Pictures
Games
HD - Movies
Movie clips
Other
E-books
Comics
Pictures
Covers
Physibles
Other
Details for:
(2025) Buck Curran - Far Driven Sun [FLAC]
2025 buck curran far driven sun flac
Type:
FLAC
Files:
14
Size:
166.6 MB
Uploaded On:
Jan. 24, 2026, 3:40 p.m.
Added By:
DarkAngie
Seeders:
7
Leechers:
0
Info Hash:
CB47826AEC0B40432B62FDC3CF8AD3B7A60F9613
Get This Torrent
Buck Curran – Far Driven Sun (2025) Review: Buck Curran’s latest record celebrates craft of all types. The craft of melody, of musicianship, of tone, of capturing and shaping sounds; of building the instruments themselves. A one-of-a-kind acoustic guitar, the 30-year-old, hand-built Butterfly, is presented in lush vistas, layered with stabs of counterpoint, gentle shades of reverb and the soft scrape of fingers on strings. Buck came up in the same freak folk circles as Jack Rose, and he is the guardian of Robbie Basho’s guitar. Despite these potent influences, Buck has found his own voice in steel string centered instrumental music. His playing is patient and pristine, but these assemblies of blended guitar owe as much to classic rock as they do to any other guitar soli tradition. The melodicism and accessibility of the songs on Far Driven Sun recall those notable tracks where rockers go Takoma style, or at least instrumental, and strike gold — think of Black Sabbath’s “Fluff”, Duane Allman’s “Little Martha,” even the delicate spaces of Fleetwood Mac’s “Albatross”—that’s the sort of dreamy, wide-open territory covered on the path to the Far Driven Sun. Far Driven Sun asks listeners to pay attention to the guitar itself, the sound of its materiality, in a way that few records insist on. The opening track, which shares a title with the record, introduces the instrument with a sparse melodic figure, alone at first, then joined by a complimentary riff. The close, high-definition recording style admits creaks and the sounds of friction, but it also recreates the sustain and warmth of this rare construction of sacred, exotic wood. It’s a short tune, the star of the show stepping out from behind the curtain. Once introductions have been dispensed with, other possibilities are immediately explored. The propulsive “Unicorn Song” lays down a bed of strums over which a brass slide and an e-bow are used on the Butterfly to make sounds so sonorous and smooth you would swear it was the neck pickup on a Jazz Master being played through a vintage Fender Twin, not an acoustic guitar. Throughout Far Driven Sun Curran weaves guitars masterfully. Sheets of slide, sonic aurora, embed themselves between the hollows of patient fingerstyle arpeggios; waves of e-bow ambience crash against rhythmic shores, beauty resides in the spaces between sparse notes. Far Driven Sun is proof positive of the way in which a purposefully limited palette, instrumental in this case, can push creative boundaries. There is an exception to every rule, however, and on the climactic cut “ILiad (Slight Return),” Buck brings a rhythm section to bear on a theme that was explored earlier on the album, a structural/titular reference to Jimi Hendrix’s unforgettable revisitation of “Voodoo Chile” that closes out Electric Ladyland. In “ILiad (Slight Return)” one can almost hear a future full band Buck Curran record. His rock-inflected playing works just as well with the advent of bass and insistent drums as it does with his own tasteful overdubs, but the deployment is so restrained: the textbook definition of leaving them wanting more. Thematically, Far Driven Sun is a record about how the vast expanse and wonder of the universe is situated and experienced locally, in the carbon atoms of the wood of a singular guitar, or in the intimate human galaxies that are families. Tunes like “Unicorn Song,” which was named by Buck’s daughter and appears three times in different incarnations across the record, or “You Are My Sun” demonstrate that this creative cosmos revolves around children and partners, the closeness of the home hearth. “ILiad (Slight Return),” “Deserto Parallax” and the album’s title track show the cosmic and spiritual distances covered in this musical journey. Ultimately, however, much like the Odyssey, the classical companion to the Iliad invoked in the peak moment of Far Driven Sun, this is a record about returning home to the things that are essentially important. The cherished family and the perfectly crafted, one-of-a-kind tools that inspire the best work an artist can do. Buck might have taken a queue here from the legendary cuisine of his adopted home country, Italy. Just a few simple ingredients and a lot of love and intention produce a sublime result. — dusted Track List: 01 - Far Driven Sun 02 - Unicorn Song (feat. Nataly Kozlova) 03 - You Are My Sun 04 - Deserto Parallax 05 - ILiad 06 - Vignette 07 - Solstice 08 - Bells 09 - May 10th, 5;15 10 - ILiad (Slight Return) [feat. Francesco Di Lenge & Nataly Kozlova] 11 - Vignette (Twilight) 12 - Unicorn Song (Coda) Media Report: Genre: alternative folk Origin: Cocoa Beach, Florida, USA Format: FLAC Format/Info: Free Lossless Audio Codec Bit rate mode: Variable Channel(s): 2 channels Sampling rate: 44.1 KHz Bit depth: 16 bits Compression mode: Lossless Writing library: libFLAC 1.3.0 (UTC 2013-05-26) Note: If you like the music, support the artist.Buck Curran – Far Driven Sun (2025) Review: Buck Curran’s latest record celebrates craft of all types. The craft of melody, of musicianship, of tone, of capturing and shaping sounds; of building the instruments themselves. A one-of-a-kind acoustic guitar, the 30-year-old, hand-built Butterfly, is presented in lush vistas, layered with stabs of counterpoint, gentle shades of reverb and the soft scrape of fingers on strings. Buck came up in the same freak folk circles as Jack Rose, and he is the guardian of Robbie Basho’s guitar. Despite these potent influences, Buck has found his own voice in steel string centered instrumental music. His playing is patient and pristine, but these assemblies of blended guitar owe as much to classic rock as they do to any other guitar soli tradition. The melodicism and accessibility of the songs on Far Driven Sun recall those notable tracks where rockers go Takoma style, or at least instrumental, and strike gold — think of Black Sabbath’s “Fluff”, Duane Allman’s “Little Martha,” even the delicate spaces of Fleetwood Mac’s “Albatross”—that’s the sort of dreamy, wide-open territory covered on the path to the Far Driven Sun. Far Driven Sun asks listeners to pay attention to the guitar itself, the sound of its materiality, in a way that few records insist on. The opening track, which shares a title with the record, introduces the instrument with a sparse melodic figure, alone at first, then joined by a complimentary riff. The close, high-definition recording style admits creaks and the sounds of friction, but it also recreates the sustain and warmth of this rare construction of sacred, exotic wood. It’s a short tune, the star of the show stepping out from behind the curtain. Once introductions have been dispensed with, other possibilities are immediately explored. The propulsive “Unicorn Song” lays down a bed of strums over which a brass slide and an e-bow are used on the Butterfly to make sounds so sonorous and smooth you would swear it was the neck pickup on a Jazz Master being played through a vintage Fender Twin, not an acoustic guitar. Throughout Far Driven Sun Curran weaves guitars masterfully. Sheets of slide, sonic aurora, embed themselves between the hollows of patient fingerstyle arpeggios; waves of e-bow ambience crash against rhythmic shores, beauty resides in the spaces between sparse notes. Far Driven Sun is proof positive of the way in which a purposefully limited palette, instrumental in this case, can push creative boundaries. There is an exception to every rule, however, and on the climactic cut “ILiad (Slight Return),” Buck brings a rhythm section to bear on a theme that was explored earlier on the album, a structural/titular reference to Jimi Hendrix’s unforgettable revisitation of “Voodoo Chile” that closes out Electric Ladyland. In “ILiad (Slight Return)” one can almost hear a future full band Buck Curran record. His rock-inflected playing works just as well with the advent of bass and insistent drums as it does with his own tasteful overdubs, but the deployment is so restrained: the textbook definition of leaving them wanting more. Thematically, Far Driven Sun is a record about how the vast expanse and wonder of the universe is situated and experienced locally, in the carbon atoms of the wood of a singular guitar, or in the intimate human galaxies that are families. Tunes like “Unicorn Song,” which was named by Buck’s daughter and appears three times in different incarnations across the record, or “You Are My Sun” demonstrate that this creative cosmos revolves around children and partners, the closeness of the home hearth. “ILiad (Slight Return),” “Deserto Parallax” and the album’s title track show the cosmic and spiritual distances covered in this musical journey. Ultimately, however, much like the Odyssey, the classical companion to the Iliad invoked in the peak moment of Far Driven Sun, this is a record about returning home to the things that are essentially important. The cherished family and the perfectly crafted, one-of-a-kind tools that inspire the best work an artist can do. Buck might have taken a queue here from the legendary cuisine of his adopted home country, Italy. Just a few simple ingredients and a lot of love and intention produce a sublime result. — dusted Track List: 01 - Far Driven Sun 02 - Unicorn Song (feat. Nataly Kozlova) 03 - You Are My Sun 04 - Deserto Parallax 05 - ILiad 06 - Vignette 07 - Solstice 08 - Bells 09 - May 10th, 5;15 10 - ILiad (Slight Return) [feat. Francesco Di Lenge & Nataly Kozlova] 11 - Vignette (Twilight) 12 - Unicorn Song (Coda) Media Report: Genre: alternative folk Origin: Cocoa Beach, Florida, USA Format: FLAC Format/Info: Free Lossless Audio Codec Bit rate mode: Variable Channel(s): 2 channels Sampling rate: 44.1 KHz Bit depth: 16 bits Compression mode: Lossless Writing library: libFLAC 1.3.0 (UTC 2013-05-26) Note: If you like the music, support the artist
Get This Torrent
03 - You Are My Sun.flac
21.7 MB
02 - Unicorn Song (feat. Nataly Kozlova).flac
18.7 MB
01 - Far Driven Sun.flac
7.0 MB
04 - Deserto Parallax.flac
14.7 MB
05 - ILiad.flac
17.3 MB
06 - Vignette.flac
8.4 MB
07 - Solstice.flac
11.6 MB
08 - Bells.flac
11.4 MB
09 - May 10th, 5;15.flac
8.8 MB
10 - ILiad (Slight Return) [feat. Francesco Di Lenge & Nataly Kozlova].flac
18.6 MB
11 - Vignette (Twilight).flac
9.2 MB
12 - Unicorn Song (Coda).flac
18.9 MB
audiochecker.log
877 bytes
cover.jpg
190.6 KB
Similar Posts:
Category
Name
Uploaded
Other
Clay Travis and Buck Sexton-Thursday - Sep 04,2025
April 18, 2026, 7:38 p.m.
Other
Clay Travis and Buck Sexton-Monday - Sep 08,2025
April 18, 2026, 6:37 p.m.
Other
Clay Travis and Buck Sexton-Monday - Oct 13,2025
April 18, 2026, 9:54 a.m.
Other
Clay Travis and Buck Sexton-Tuesday - Oct 21,2025
April 18, 2026, 7:32 a.m.
Other
Clay Travis and Buck Sexton-Tuesday - Nov 04,2025
April 18, 2026, 3:59 a.m.