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dave i d response advance 2011 sire

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Uploaded On:: May 19, 2011, 12:52 p.m.
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Artist: Dave.I.D Title: Response Label: K7 Genre: Drum & Bass Bitrate: 261kbit av Time: 00:40:20 Size: 79.91 mb Rip Date: 2011-05-18 Str Date: 2011-06-13 01. When Everything Is In It\'s Place 3:34 02. SumR 4:40 03. The Takeover 3:46 04. You Me Come For 4:48 05. Oil 3:39 06. HIS 4:58 07. Now 3:40 08. Marvel 4:24 09. There\'s A Kingdom For That 3:46 10. Mine 3:05 Release Notes Dave.I.D likes to think for himself. Always has done. Its the reason why his debut album didnt go quite according to his initial plan. He was going to make, to use his own words, something pretty simple and straightforward. But then he noticed lots of his friends were discovering new beliefs. Some even tried to convert him. I\'m very open-minded to different beliefs, but I question and see things slightly differently, he says. Without necessarily wanting to, he found himself reflecting on existential questions. The album is a record of the time that it was made, and thats what was going on in my life at the time. I didnt necessarily want to make the debut album like that. I felt I had to make it The cerebral inspiration catapulted him into musics outer rim. He beamed back a dark, dense sometimes confrontational sound, but ultimately compelling sound. But, in the end, it turned out to be a happy accident because the resulting record, called Response appropriately enough, is mind-bendingly inventive, brilliantly off-kilter and constantly surprising. On HIS ethereal vocals echo over funereal synths. Its darkly evocative, like a forgotten gem by 80s industrial heroes Chris & Cosey. Elsewhere the clanging beats, noirish chords and pugnacious melodies of When Everything Is In Its Place recall harder edged industrial influences such as Einstrzende Neubauten Crucially, the tough sonics are paired with killer melodies: this is deep, heavy music you can hum. The juddering rhythms on You Me Come For underpin an anthemic chorus of warm digital fuzz and strangely uplifting vocal keens. Meanwhile, SumR is built around a baroque harpsichord riff, over which Dave flips and vaults with brooding tunefulness. And despite the industrial references, its definitely not some retro homage. There are hints of Warp-style electronica, experimental noise that echoes bands such as Liars, the sharp fusion of mind-busting innovation and melody which recalls TV On The Radio and oblique nods to the post-dubstep scene, the latter a similarity of mood rather than a shared sound. In short, its a record that could only have been made now Dave i.d, started making music in earnest in 2006. Before that it was just messing around with computers in his bedroom. In the first place making music was a way of stopping myself going crazy, he explains It was better than sitting in a room talking to myself. It was also an escape from the daily grind of studying to be an accountant. Ever since I was at primary school I was good at maths, he explains. I wanted to do something with numbers, but I chose the most boring thing to do with numbers possible. In the end I gave it up because it was so boring His first release, Why Werent The Message Sent, came at the beginning 2009. Like the album, he made the track in a 10-foot-by-ten-foot wooden cube sitting in the storage space of a former art gallery. Its an old art project, which has a multi-functional use he explains. At present I call it Daves Studio Working alone is important to Dave.I.D. He doesnt think hed be an easy person to collaborate with. For me working alone is the only way I know how to work. To have something interfere with the way Im used to working might not have worked out. I imagine I would have lost interest if someone else had got involved and started sprinkling their fairy dust on it. I like to do things a certain way Hes reluctant to talk about influences, and hes got a point he doesnt really sound like anyone else. That said, the records he was listening to while making Why Werent The Message Sent and later Response help make sense of his singular sound. I got into a lot of noise bands like Ex Models. I felt a strong connection to the second and third Liars albums, They Were Wrong, So We Drowned (2004) and Drums Not Dead (2006). The Drift by Scott Walker is a great album I think those are the people that have had an effect on me musically The common thread is a prioritisation of sound over melody. I got really interested in stuff like that because textures are always more important to me than a tune, he confirms. But if you can use good textures and still write a good tune then thats OK too Ask him about the future, and he responds instantly. My dream is for this to be an option. Im ambitious. I want people to like what I do The difference is that Im not going to sugar coat it for you. I dont have that need. I really just like pleasing myself at the moment Its more of a passive statement than a modern update of Suicides confrontational stance. Thing is, while pleasing himself hes made an album that fizzes and pops with creativity. Hes going to have to get used to other people being pretty pleased with it too

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