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Details for:
[24/96] Elvis Costello - This Year's Model - 1978, Vinyl Rip
24 96 elvis costello year s model 1978 vinyl rip
Type:
FLAC
Files:
20
Size:
679.8 MB
Uploaded On:
June 4, 2012, 10:03 a.m.
Added By:
npto
Seeders:
0
Leechers:
1
Info Hash:
6D6A0BEDD71D95884D2CD6ECA64F0F5F7D6195DE
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Elvis Costello - This Year's Model (1978) - 2010 Mobile Fidelity MFSL 1-330 180g LP, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side one 01. "No Action" – 1:58 02. "This Year's Girl" – 3:17 03. "The Beat" – 3:45 04. "Pump It Up" – 3:14 05. "Little Triggers" – 2:40 06. "You Belong to Me" – 2:22 Side two 07. "Hand in Hand" – 2:33 08. "Lip Service" – 2:36 09. "Living in Paradise" – 3:52 10. "Lipstick Vogue" – 3:29 11. "Radio, Radio" – 3:05 All songs written by Elvis Costello. Personnel * Elvis Costello – guitar, vocals * Steve Nieve – piano, organ * Bruce Thomas – bass * Pete Thomas – drums Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 1.21 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note from aksman With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer. For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information. Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'. In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.
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