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Details for:
[24/96] Led Zeppelin - Coda - 1982, Vinyl Rip
24 96 led zeppelin coda 1982 vinyl rip
Type:
FLAC
Files:
21
Size:
699.0 MB
Uploaded On:
June 16, 2012, 11:42 p.m.
Added By:
npto
Seeders:
0
Leechers:
1
Info Hash:
04F677B1317A48A12D2821E011CC2FA55DADA0E1
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Led Zeppelin - Coda - 1982 Classic Records 200g LP / Swan Song 90051-200, USA LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman A1 We're Gonna Groove 2:36 Engineer – Andy Johns A2 Poor Tom 3:03 Engineer – Andy Johns A3 I Can't Quit You Baby 4:16 Engineer – Vic Maile A4 Walter's Walk 4:24 Engineer – Eddie Kramer B1 Ozone Baby 3:35 Engineer – Leif Masses* B2 Darlene 5:04 Engineer – Leif Masses* B3 Bonzo's Montreaux 4:15 Engineer – John Timperly* Electronics [Electronics Treatments] – Jimmy Page B4 Wearing And Tearing 5:27 Engineer – Leif Masses* Personnel John Bonham – drums, percussion John Paul Jones – bass guitar, piano, keyboards Jimmy Page – acoustic and electric guitar, production, electronic treatments Robert Plant – lead vocals, harmonica Identifiers Matrix Number (Side 1): ST-SS-825101 SP BG Matrix Number (Side 2): ST-SS-825102 SP BG Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
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