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Details for:
[24/96] Led Zeppelin - The Song Remains The Same - 1976, Vinyl R
24 96 led zeppelin song remains same 1976 vinyl r
Type:
FLAC
Files:
31
Size:
1.9 GB
Uploaded On:
June 24, 2012, 9:22 a.m.
Added By:
npto
Seeders:
0
Leechers:
1
Info Hash:
F7E55D83F1CE4EBEA44D6EB8654D230EDCFA5034
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Led Zeppelin - The Song Remains The Same (1976) - 1992 MMG Inc, Tokyo, AMJY-2008/9 / Swan Song Records, Japan 2xLP-Set 2LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman Side one 01 - "Rock and Roll" (John Bonham, John Paul Jones, Jimmy Page, Robert Plant) – 4:03 02 - "Celebration Day" (Jones, Page, Plant) – 3:49 03 - "The Song Remains the Same" (Page, Plant) – 6:00 04 - "Rain Song" (Page, Plant) – 8:25 Side two 05 - "Dazed and Confused" (Page) – 26:53 Side three 06 - "No Quarter" (Jones, Page, Plant) – 12:30 07 - "Stairway to Heaven" (Page, Plant) – 10:58 Side four 08 - "Moby Dick" (Bonham, Jones, Page) – 12:47 09 - "Whole Lotta Love" (Bonham, Willie Dixon, Jones, Page, Plant) – 14:25 Personnel Personnel Led Zeppelin John Bonham – drums, percussion John Paul Jones – bass guitar, keyboards, Mellotron Jimmy Page – electric guitars, backing vocals, Theremin, production Robert Plant – vocals Additional personnel Cameron Crowe – liner notes Barry Diament – mastering (original Compact Disc release) Peter Grant – executive producer George Hardie – record sleeve Hipgnosis – record sleeve Eddie Kramer – engineering, mixing Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.
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