PirateBay Download | 24 96 pat metheny what s all about 2011 vinyl rip

24 96 pat metheny what s all about 2011 vinyl rip

Type:: FLAC
Files:: 23
Size:: 1.1 GB
Uploaded On:: Aug. 19, 2012, 7:44 a.m.
Added By:: npto
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Info Hash:: 20C183029DBADBAE07E7FFBB38B3A3C73E8766C5

Pat Metheny - What's It All About - 2011 Nonesuch 180g 2xLP-Set (US); Pressed at Pallas / Cat.#: 528173 Mastered by Ted Jensen @ Sterling Sound, NYC 2LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by aksman A1 The Sound Of Silence 6:33 A2 Cherish 5:25 A3 Alfie 7:41 B1 Pipeline 3:23 B2 Garota De Ipanema 5:07 B3 Rainy Days And Mondays 7:10 C1 That's The Way I've Always Heard It Should Be 5:57 C2 Slow Hot Wind 4:23 C3 Betcha By Golly Wow 5:12 D1 And I Love Her 4:22 D2 'Round Midnight 6:37 D3 This Nearly Was Mine 4:29 Credits Guitar [42-string] – Pat Metheny (tracks: A1) Guitar [6-string] – Pat Metheny (tracks: B1) Guitar [Nylon-string] – Pat Metheny (tracks: D1) Producer, Guitar [Baritone] – Pat Metheny (tracks: A2, A3, B2, B3, C1, C2, C3, D2, D3) Technical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout. Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.

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Details for: [24/96] Pat Metheny - What's It All About - 2011, Vinyl Rip

24 96 pat metheny what s all about 2011 vinyl rip

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