PirateBay Download | 24 96 hard stuff bulletproof 1972 bolex dementia 1973 v

24 96 hard stuff bulletproof 1972 bolex dementia 1973 v

Type:: FLAC
Files:: 36
Size:: 1.7 GB
Uploaded On:: Sept. 22, 2012, 10 a.m.
Added By:: npto
Seeders:: 1
Leechers:: 0
Info Hash:: B92D59F6D9B7F530AE026C2DBDB09BDD376E785C

Hard Stuff - Bulletproof - 1972, Bolex Dementia- 1973 2LP, Vinyl Rip, 24/96, FLAC (tracks+.cue) Rip by PBTHAL VINYL RIPS Bass Guitar, Vocals, Piano, Producer – John Gustafson (The Merseybeats, Roxy Music, Ian Gillan Band) Drums, Producer – Paul Hammond (Atomic Rooster, Intellektuals) Guitar, Vocals, Producer – John Du Cann (Andromeda, Atomic Rooster) 1972 - Bulletproof (Purple Records, TPSA 7505, Original UK Pressing) Side 1 01 - "Jay Time" (John Du Cann) – 2:50 02 - "Sinister Minister" (John Gustafson) – 3:30 03 - "No Witch at All" (Gustafson) – 5:38 04 - "Taken Alive" (Gustafson) – 3:14 05 - "Time Gambler (Rodney)" (Du Cann) – 6:11 Side 2 06 - "Millionaire" (Du Cann) – 6:04 07 - "Monster in Paradise" (Gustafson, Ian Gillan, Roger Glover) – 4:33 08 - "Hobo" (Du Cann) – 3:25 09 - "Mr. Longevity – RIP" (Gustafson) – 4:35 10 - "The Provider – Part One" (Du Cann) – 2:31 1973 - Bolex Dementia (Mercury, SRM-1-663, Original US Pressing) Side 1 01 - "Sick n' Tired" – 4:04 02 - "Mermany" – 5:58 03 - "Jumpin' Thumpin' (Ain't that Somethin')" – 2:55 04 - "Dazzle Dizzy" – 3:41 05 - "Bolex Dementia" – 3:41 Side 2 06 - "Roll a Rocket" – 5:19 07 - "Libel" – 3:58 08 - "Ragman" – 3:01 09 - "Spider's Web" – 4:55 10 - "Get Lost" – 3:01 Vinyl Ripping Process/Equipment VPI 16.5 RCM Turntable: VPI Scoutmaster Tonearm: Trans-Fi Termninator Cartridge: Audio-Technica AT33PTG/II Phone Stage: Cinemag SUT feeding a Marantz 2220B Digital Interface: E-MU 1212 Recording Software: Adobe Audition 3.01 Recording Bitrate/Sample Rate: 192/24 Post Processing Run thru ClickRepair at level 10 with Pitch Protection | off Reverse | on Simple Resample to 96khz in Izotope Rx2 using the default preset Manually listen to album in Adobe Audition cleaning any clicks/anomalies Flac with Xrecode II What Exactly Is An "Ultimate Master" It is more or less a catchphrase originally used to designate something was a hi-res rip. But since there seems to be a lot "similarly" <cough> named rips now I guess I should explain. I try to present the "ultimate mastering" of a particular LP, the "mastering" is not my equipment or process but the source material, it has always been about finding the best source. Now my opinion of the best source is subject to change as I experience more variations. Whether or not folks think my rip is "definitive" is irrelevant to me, I just try to find the best pressing and don't mind doing the extra clean up that comes with not just ripping new reissues or japanese issues. I understand the appeal of these pressings but I don't subscribe to the notion that they represent the best source 95% of the time.

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24 96 hard stuff bulletproof 1972 bolex dementia 1973 v

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