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choral masterworks listener s guide 2005

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Michael Steinberg - Choral Masterworks: A Listener's Guide (Oxford University Press, 2005). ISBN: 9780195126440 | 336 pages | PDF Michael Steinberg's highly successful listener's guides -- "The Symphony" and "The Concerto" -- have been universally praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now Steinberg follows these two greatly admired volumes with "Choral Masterworks", the only such guide available to this most popular of musical forms. Here are more than fifty illuminating essays on the classic choral masterworks, ranging from Handel's Messiah, Bach's Mass in B Minor, and Beethoven's Missa Solemnis, to works by Haydn, Brahms, Mendelssohn, and many others. Steinberg spans the entire history of classical music, from such giants of the Romantic era as Verdi and Berlioz, to leading modern composers such as Elgar, Rachmaninoff, Vaughan Williams, and Stravinsky, to contemporary masters such as John Adams and Charles Wuorinen. For each piece, Steinberg includes a fascinating biographical account of the work's genesis, often spiced with wonderful asides. The author includes an astute musical analysis of each piece, one that casual music lovers can easily appreciate and that more serious fans will find invaluable. The book also provides basic information such as the various movements of the work, the organization of the chorus and orchestra, and brief historical notes on early performances. More than twenty million Americans perform regularly in choirs or choruses. "Choral Masterworks" will appeal not only to concert goers and CD collectors, but also to this vast multitude of choral performers, an especially engaged and active community. Reviews "What sets Steinberg's writing apart is its appealing mixture of impregnable authority (he knows this music) and purely personal asides (by the end of the book, we know this man). Choral Masterworks can be read by anybody, from a professional musician to any young listener newly braced by the stoic pessimism of the Brahms 'German Requiem.'" -- Washington Post Book World "The big boys -- Bach, Beethoven, Brahms, Haydn, and Stravinsky -- are represented by their major works, but the less-well-known likes of John Adams' Harmonium, based on poems by Donne and Dickinson; Luigi Dallapicola's Canti di prigionia, settings of writings from prison by Mary Queen of Scots, Boethius, and Savonarola; and Arthur Honegger's Le Roi David, the story of David and Saul, also appear. Steinberg's most personal essay is on Sir Michael Tippett's oratorio A Child of Our Time, whose genesis lies in the infamous Kristallnacht of 1938, and whose structure is based on Handel's Messiah. Well-written, concise introductions that record collectors, concertgoers, and chorus members alike should enjoy." -- Alan Hirsch, Booklist

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choral masterworks listener s guide 2005