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matana roberts mississippi moonchile 2013

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Matana Roberts Coin Coin Chapter Two: Mississippi Moonchile 2013 - Constellation: CST098 http://www.cstrecords.com/cst098/ * Matana Roberts: alto saxophone, vocals, conduction, wordspeak * Shoko Nagai: piano, vocals * Jason Palmer: trumpet, vocals * Jeremiah Abiah: operatic tenor vocals * Thomson Kneeland: double bass, vocals * Tomas Fujiwara: drums, vocals http://www.matanaroberts.com/ http://www.aacmchicago.org/matana-roberts-0 http://en.wikipedia.org/wiki/Matana_Roberts Recorded by Radwan Moumneh at Systems II Studios, Brooklyn NY, 28-29 November 2012. Reviews ~~~~~~~ By Thom Jurek http://www.allmusic.com/album/coin-coin-chapter-two-mississippi-moonchile-mw0002566488 Mississippi Moonchile is the second chapter in saxophonist and composer Matana Roberts' projected 12-part work, Coin Coin, which examines race, class, gender and personal experience through the prism of American history. The first chapter, Gens de Couleur Libre, was a large-scale offering, combining out jazz with narrated and sung sections that commenced at the dawn of slavery on North America's shores through the Civil War. It was at once moving, arresting, provocative, and militant, combining histories and mythologies personal, actual, spiritual, and mythological. By contrast, Mississippi Moonchile was composed with her New York sextet in mind. The ensemble -- Roberts (saxophone), Shoko Nagai (piano), Jason Palmer (trumpet), Thomson Kneeland (double bass), Tomas Fujiwara (drums), and Jeremiah Abiah (an operatic tenor) -- delivers a wildly creative, contrasting, and wide-ranging musical theater performance that embodies three folk songs and 15 original compositions, narration, chorus and solo singing, divided into 18 sections yet played as a continuous whole. The music often reflects the origins of blues and jazz from the Delta and New Orleans, but is woven seamlessly with modern sounds (the meld of gospel, blues, and modal music in "Humility Draws Down Blue" is the epitome of "art music" rooted in American folk traditions and Latin sounds), scat singing, post-bop, and Abiah's gorgeous voice anchoring nearly every cut. Roberts' horn more readily reflects her speaking and singing voices here; it is much warmer and calmer. It reflects blues because it comes straight out of them... -- By Martin Schray (with a little help of Colin Green) http://www.freejazzblog.org/2013/10/matana-roberts-coin-coin-chapter-two.html By Mark Corroto http://www.allaboutjazz.com/php/article.php?id=45482 Piotr Lewandowski (pl) http://www.popupmusic.pl/no/41/recenzje/1985/matana-roberts-coin-coin-chapter-two-mississippi-moonchile Di Gianfranco Marmoro (it) http://www.ondarock.it/index.php/OR3_require/recensioni/2013_matanaroberts_coincoinchaptertwo.htm Por Cayetano López (es)

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matana roberts mississippi moonchile 2013

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