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1971 kinks lrm ndash everybody acute s show biz

Type:: FLAC
Files:: 32
Size:: 2.5 GB
Uploaded On:: Aug. 5, 2014, 2:13 a.m.
Added By:: sidmal
Seeders:: 0
Leechers:: 1
Info Hash:: 4652B71E2FB46883B89BFB9AB0E1916854756C1D

This is an original vinyl rip at 24bit/192khz by Sidmal, I use audacity 1.2.6 for recording wav at 32/192, then split it using Wavelab 6.11 and finally tag and convert to flac 24/192 using EZCD 2.01. I have a rega rp1 prefomance pack phonograph (made in UK I think) a Denon DRA700 AE analog reciever, an Audiotrak Dr. DAC prime external soud card which is compatible with 24/192, and it all mainlines into my 3 years old (works as brand new) w520 Think pad Which is very reliable and can be used 24/7/52 with its cooler(not in danish!) and never heats up. please leave comments as to the quality, be they positive or negative. Enjoy!!!! Kinks, The &lrm;– Everybody´s In Show-Biz Label: Konk &lrm;– VEL-LP-79836 Format: 2 × Vinyl, LP, Limited Edition, 180 Gram Vinyl Country: US Released: 2001 Genre: Rock Style: Country Rock, Hard Rock Tracklist . A1 Here Comes Yet Another Day 3:53 A2 Maximum Consumption 4:04 A3 Unreal Reality 3:32 A4 Hot Potatoes 3:25 A5 Sitting In My Hotel 3:20 B1 Motorway 3:28 B2 You Don't Know My Name 2:34 B3 Supersonic Rocket Ship 3:29 B4 Look A Little On The Sunnyside 2:47 B5 Celluloid Heroes 6:19 C1 Top Of The Pops 4:33 C2 Brainwashed 2:59 C3 Mr. Wonderful 0:42 C4 Acute Schizophrenia Paranoia Blues 4:00 C5 Holiday 3:53 D1 Muswell Hillbilly 3:10 D2 Alcohol 5:19 D3 Banana Boat Song 1:42 D4 Skin And Bone 3:54 D5 Baby Face 1:54 D6 Lola 1:40 Companies etc Licensed To – Velvel Records LLC Manufactured By – Koch Records Distributed By – Koch Records Credits Baritone Saxophone, Clarinet – Davy Jones* (tracks: On Live Recording Only-Sides Three and Four) Baritone Saxophone, Clarinet, Flute – Alan Holmes (2) (tracks: On Studiorecording Only, side One And Two) Bass Guitar – John Dalton Drums – Mick Avory Guitar, Vocals – Ray Davies Keyboards – John Gosling (2) Lead Guitar, Vocals – Dave Davies Producer – Raymond Douglas Davies* Trombone, Tuba – John Beecham Trumpet – Mike Cotton Notes ℗ 2008, 2001, 1975, 1974, 1972, 1971 KONK Records. © KONK Records, exclusively licensed to Velvel Records LLC. Manufactured and Distributed by KOCH Records. A KOCH Entertainment Company. 740 Broadway, New York, NY, 10003. All rights reserved. Unauthorized duplication is a violation of applicable laws. Made in U.S.A. kockrecords.com VEL-LP-79825 Allmusic: Release Date August, 1972 Duration 01:10:37 Genre Pop/Rock Styles Album Rock Contemporary Pop/Rock Hard Rock Recording Date March 2, 1972 - June, 1972 Review by Stephen Thomas Erlewine Everybody's in Show-Biz is a double album with one record devoted to stories from the road and another devoted to songs from the road. It could be labeled "the drunkest album ever made," without a trace of hyperbole, since this is a charmingly loose, rowdy, silly record. It comes through strongest on the live record, of course, as it's filled with Ray Davies' notoriously campy vaudevellian routine (dig the impromptu "Banana Boat Song" that leads into "Skin & Bone," or the rollicking "Baby Face"). Still, the live record is just a bonus, no matter how fun it is, since the travelogue of the first record is where the heart of Everybody's in Show-Biz lies. Davies views the road as monotony -- an endless stream of identical hotels, drunken sleep, anonymous towns, and really, really bad meals (at least three songs are about food, or have food metaphors). There's no sex on the album, at all, not even on Dave Davies' contribution, "You Don't Know My Name." Some of this is quite funny -- not just Ray's trademark wit, but musical jokes like the woozy beginning of "Unreal Reality" or the unbearably tongue-in-cheek "Look a Little on the Sunnyside" -- but there's a real sense of melancholy running throughout the record, most notably on the album's one unqualified masterpiece, "Celluloid Heroes." By the time it gets there, anyone that's not a hardcore fan may have turned it off. Why? Because this album is where Ray begins indulging his eccentricities, a move that only solidified the Kinks' status as a cult act. There are enough quirks to alienate even fans of their late-'60s masterpieces, but those very things make Everybody's in Show-Biz an easy album for those cultists to hold dear to their hearts.

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