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Details for:
[indie-folk, indie-rock] (2019) Better Oblivion Community Center
indie folk indie rock 2019 better oblivion community center
Type:
FLAC
Files:
14
Size:
237.8 MB
Uploaded On:
Jan. 31, 2019, 6:45 a.m.
Added By:
DarkAngie
Seeders:
3
Leechers:
0
Info Hash:
76400EA45D78EC66F27B9433BADDB2ABF486727F
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(2019) Better Oblivion Community Center - Better Oblivion Community Center Review: What is it about dashed expectations that breed singer-songwriters? As the Sixties dream cratered, a golden era peaked in Laurel Canyon — think Joni, Jackson, Sweet Baby James — with a tendency towards wistful solipsism. Now, a new one is blooming as the American experiment contemplates its doom. Father John Misty’s cosmic snark, Mitski’s aching character studies, Kurt Vile’s transcendent vagueness — all of them offer strangely comforting proof that hopelessness springs eternal. Add Los Angeles’ Phoebe Bridgers to that list. Her tenderly spooky 2017 debut, Stranger in the Alps, was followed by last year’s dazzling Crosby, Stills & Nash-style Boygenius EP, cut with kindred aces Lucy Dacus and Julien Baker. Now, the 24-year-old Bridgers has another low-key supergroup. The debut by Better Oblivion Community Center opens in the voice of a seasonal hire on “I Didn’t Know What I Was In For,” searching for meaning in a world so full of pain it can drive a person literally insane. She’s soon joined by BOCC’s other half: Conor Oberst. Twenty-five years in, he’s a touchstone for a new generation, Bridgers in particular. His emo shiver has become more tremor than seizure; on his recent Ruminations and Salutations LPs, he channeled a complicated, weary dolor. The duo harmonize beautifully, Oberst’s voice often just a brooding floorboard creak behind Bridgers’ brightly bloodshot confidences (see “Chesapeake”). As personas, they’re a duo of damaged survivors, a more dissolute version of Please Like Me’s Josh and Arnold. Bridgers has a knack for cultivating vocal collaborations. On Stranger In The Alps, John Doe added harmony on her calling card, “Killer,” and Oberst pitched in on “Would You Rather,” a haunting song about Bridgers and her little brother. More recently, she enlisted Jackson Browne on her cover of McCarthy Trenching’s “Christmas Song.” With boygenius, she’s found a harmony that’s more than the sum of its formidable parts. Tracklist: 01 - Didn't Know What I Was in For.flac 02 - Sleepwalkin'.flac 03 - Dylan Thomas.flac 04 - Service Road.flac 05 - Exception to the Rule.flac 06 - Chesapeake.flac 07 - My City.flac 08 - Forest Lawn.flac 09 - Big Black Heart.flac 10 - Dominos.flac Summary: Country: USA Genre: indie-folk, indie-rock
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10 - Dominos.flac
27.6 MB
07 - My City.flac
26.9 MB
03 - Dylan Thomas.flac
25.6 MB
01 - Didn't Know What I Was in For.flac
24.9 MB
06 - Chesapeake.flac
24.2 MB
04 - Service Road.flac
23.2 MB
08 - Forest Lawn.flac
22.9 MB
02 - Sleepwalkin'.flac
21.5 MB
09 - Big Black Heart.flac
21.1 MB
05 - Exception to the Rule.flac
19.4 MB
cover.jpg
523.0 KB
audiochecker.log
756 bytes
downloaded from katcr.co.txt
24 bytes
Icon
0 bytes
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